Peer's repertoire of painting is connected to the context of a place: Jerusalem, the city where he was born, and Venice, the city where he studied art. In terms of magnificence, the comparison was natural, and the identity he found between the architectural elements of the two cities is the result of a shared experience of two symbolic and significant cities. From a new creative world, Peer saw the beauty of dismantling and assembling those dominant elements to the point of blurring the characteristics of the ancient Italian city and that of Jerusalem. The common elements were defined as a language in its own right, which Peer called "alpha-Beto" (alphabet) - a kind of common legend for both cities.